Proper Microphone Technique

Guide to Proper Microphone Technique when Singing Onstage

For a singer, there is nothing more frustrating than knowing you have the ability to sing, but always fumble during the performance. Very often this is the result of poor preparation, a hasty sound check or the very simple fact that the singer doesn’t know how to handle the microphone onstage. You will get the best quality and product on MicGurus The last is the most important element for a singer to master. Once the microphone technique is down, the rest of the performance will be easier.

Mastering the microphone takes a great deal of practice and this should be done before even thinking of signing up for a gig. Fumbling around during a performance could easily make or break you as a singer. The basics of singing into a microphone are these:

Ensure that the top of the microphone is pointed at the front of your mouth.

Hold it one or two inches away and just under the lips.

Don’t touch the microphone with your lips or hold it close to one side of your mouth or the other.

Often a good way to start out is by using a stand. However, when using a stand, don’t just stand still and hold the microphone or cup your hands around the top of it. Part of a good performance is being active on stage! So avoid the use of a microphone stand unless you are playing an instrument as well as singing. Plus, it is easier to control the volume of your voice when holding the mic rather than using a stand.

When “being active” onstage, ensure that you can move your mic to and from the stand easily. Nothing screams “rookie” more than fumbling with your mic, trying to get it off the stand. Practice before the show to make sure this action goes smoothly. Another aspect to consider when moving around onstage is making sure there’s enough slack on the microphone cable or that there’s a longer cable available. If the cable is too short and you attempt to move around, you’ll either pull the cord out and people won’t be able to hear you or you’ll fall. The thing too look out for when using a longer cable is to make sure you don’t trip over it in the midst of your new-found freedom.

Moving closer to the microphone will adjust the volume, making it louder. Standing too far away from the microphone will achieve less volume, exactly what you do not want. If at all possible before the performance, work with the sound engineer and ask him/her for tips on how to best handle the microphone. Usually they are more than willing to tell you what techniques work and what don’t.

After you become comfortable with singing with the microphone, attempt different methods, such as letting the microphone “drift” as you sing. This gives you a better chance to rock out while still maintaining volume. Another method is to move the microphone away while “belting out.” This avoids “overdriving the microphone element for loud passages or producing a ‘thin’ sound for quieter parts.”

Being prepared will alleviate most or all of these problems. By knowing your voice and the music, you’ll know whether to be loud or soft at intervals. If you’ve practiced with the microphone and have checked it before the show, you should have no problems mastering your performance.

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